SPAT Setup Modules

We have already covered the Setup page in the SPAT Environment section, focusing on its structure and the various ways of interacting with the user interface.

Now we will look more closely at the setup modules themselves. This is an important part of the session design, so be sure to read the following chapters to understand how the signal chain works in SPAT Revolution.

One module, one task

Each module has a specific role. Input and Output modules take care of the routing with the outside world. Sources and Rooms are the heart of SPAT’s object-based mixing engine. Basic summing and routing are done with Master and Sum modules. A transcoder can transform audio streams from one type to another. The complete module list is:

• Inputs 22.1
• Input Transcoders 22.2
• Sources 23
• Rooms 23
• Sums 24.1
• Master Transcoders 24.2
• Masters 24.3
• Binaural Monitors 24.4
• Outputs 24.5

Stream types and associated options

Modules blocs are characterized by their stream type. In spatial audio, audio streams can be of different natures, as seen in the [Spatialization Technology -@spatialization-technology] section.

Stream types and their options are :

• Channel-based: most commonly used stream type where one channel corresponds to one speaker or one microphone.
  • Speaker arrangement: allow to select the channel configuration of the bloc.
• HOA : generic ambisonic bloc.
  • Order: select the ambisonic order from 1 to 7.
  • Dimension : select between a 2D or 3D sound scene.
• A-Format: pre-encoding ambisonic stream (raw ambisonic microphone output).
• B-Format : deprecated, prefer a 3D HOA first order bloc.
• UHJ: special 3D first order ambisonic stream meant for archiving and stereo compatibility.
• MS : Mid-side.
• Binaural: headphone-oriented render using HRTF.
• Transaural: binaural decoding on speaker.